I know we’re gonna meet someday
in the crumbled financial institutions of this land
there will be tables and chairs
pony rides and dancing bears
there’ll even be a band
‘cause listen after the fall there’ll be no more countries
no currencies at all
gonna live on our wits
throw away survival kits
trade butterfly knives for adderall
and that’s not all
woah!
there will be snacks, there will
there will be snacks, there will be
there will be snacks
I have a habit of becoming obsessed with a certain artist or album and listening to it exclusively for brief, intense period. When I later try to listen to that music again, I often find it almost uncomfortably evocative of that earlier period of my life for which it was a soundtrack. (There are songs from particularly dark or lonely times that actually have the power to make me instantly nauseous.)
My first couple month in Chicago in 2007, I listened to almost nothing but Andrew Bird, native Chicagoan who I’d recently seen at that year’s Hideout block party. Thanks to the serendipitous force that is iTunes shuffle, I found myself listening to Armchair Apocrypha again for the first time in four years this morning.
It instantly transported me back to those early months of post-college semi-unemployment, when I would go running for more than an hour every afternoon, exploring my new neighborhood: the natural grandeur of Humboldt Park, the bleak urban landscape south of Grand, the splendid mansions on Hoyne, the Parisian boulevards of Logan Square, the factories and smelting plants of Goose Island. It was all very foreign and strange then. Now it is undoubtedly Home.
I never got really into A Bird—which is why I took a four year hiatus from his music—but I always really loved this song, Tables and Chairs. Even when everything in life is uncertain, there’s still the simple, comforting promise of snacks.